The work of Portishead co-founder Geoff Barrow, this scabrous if undernourished debut feature casts a critical gaze on 90s rave culture. Self-serving drug user David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to break into his own parents. In no time, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the rave-era youth were primarily out for number one – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher arrives, enraged after David strangles his dog. Still, a grimly amusing standoff unfolds – David eager to get away; the Woodsman withholding his jerrycan of cider, intent on soaking him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single important plot development, but it results in a hilariously staged rampage on the forest trails that dips close to folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film is in British and Irish theaters from November 17.
